Kestrel’s expertly clipped descriptive passages and dialogue bring his spacious canvas into razor-sharp focus.
A Honolulu cop’s search for an unusually brutal killer is upended by the arrival of World War II, which puts his investigation on hold and adds an epic dimension to his quest.
Called over Thanksgiving weekend 1941 to a shed where an unknown young White man has been gutted and hung upside down, Detective Joe McGrady soon finds a second butchered corpse, that of a bound, naked Asian woman whose throat has been cut with the same Mark I model trench knife, and creates a third when he returns to the scene and wins a gunfight with a nameless scar-faced man. Capt. J.H. Beamer, who puts McGrady in charge of the case, clearly doesn’t like or trust him and keeps him on a short leash because the first dead man’s uncle, Adm. Kimmel, pulls a lot of weight, and his moneyed associate, John Francis Kincaid, even more. Acting on evidence McGrady’s unearthed, Beamer sends him to Hong Kong in search of the mysterious John Smith, who’s become the leading suspect. The morning after McGrady arrives, the Japanese bomb Pearl Harbor, cutting off any hope of his return home, and his trip stretches out to three years, first as a prisoner of the Hong Kong Police when Smith frames him for aggravated rape, then as a fugitive in the Tokyo home of Takahashi Kansei, the dead woman’s pacifist uncle in the Japanese Ministry of Foreign Affairs. Exposed to a bewildering variety of people, locations, and beliefs, McGrady miraculously manages not only to keep his cool in a world gone mad, but to return to Honolulu, where he was reported dead long ago, and close the case.
Kestrel’s expertly clipped descriptive passages and dialogue bring his spacious canvas into razor-sharp focus.Pub Date: Oct. 19, 2021
ISBN: 978-17890-96118
Page Count: 432
Publisher: Hard Case Crime
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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